Bach Bibliography
Search Result
The keys being searched are:
Series : ^diss.$
Show full details : ON
Max number of results shown : 300
Display author field : OFF
Output sorted : serially (table)
Your search has generated the following results ...
TypeListTitle[further info]SeriesVolNoYearPagesStatus
[]
1. Aspects of style in the two-part Inventions as revealed by a study of accentuation. Chapel Hill: University of North Carolina. diss. c 1960
2. Max Reger als Bach-Bearbeiter. PhD diss., Musicology, Freiburg im Breisgau, 1976. diss. 1976
3. The Five Berlin Cembalo Concertos, P. 390, of John Christian Bach: A Critical Edition. PhD diss., Musicology, Florida State University, 1974. diss. 1974
4. Die Allemande in der deutschen Klaviersuite. Basel, Univ., Diss., 1927 [1931]. - Inaug.-Diss. Basel. Von der philologisch-historischen Abteilung der philosophischen Fakultät der Universität Basel bewilligter Teildruck aus: 'Die Allemande, eine Untersuchung ihrer Entwicklung von den Aufängen bis zu Bach und Händel' (Vollst. im Buchh. b. Hug, Zürich). - Zürich: Buchdruckerei Berichthaus, 1931. 2p. l., p. [115]-143, [2] p. diss. 1931
5. The Solo Sonatas of Georg Philipp Telemann: A Study of the Sources and Musical Style. PhD. diss., Yale University, 1988. diss. 1988
6. A adaptação da obra alaudística de Johann Sebastian Bach para alto guitar: Um modelo híbrido. [The adaptation of the lute works of Johann Sebastian Bach for alto guitar: A hybrid model] Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1993. 2 vols. diss. 1993
7. Johann Sebastian Bach, Einzelnstehende Suiten, Sonaten, Variationen und Capricci für Klavier: Untersuchungen zur Überlieferung und Edition. Tübingen Uni. 1973. diss. 1973
8. An Operational approach to a theory of rhythm. Yale Uni. 1969. diss. 1969
9. Die Dispositio der römischen Oratorie als Beitrag zum Formverständnis ausgewählter Instrumentalfugen von Johann Sebastian Bach. PhD, Technische Universität Dresden, 2004. diss. 2004
10. Georg Poelchau und seine Musikaliensammlung. Ein Beitrag zur Überlieferung Bachscher Musik im 19. Jahrhundert. Tübingen 1970. (Druck 1984) diss. 1970
11. Die Musikhandschrift Mus.ms.A6 im Thüringischen Landesmusikarchiv Weimar als Quelle der kirchenmusikalischen Praxis in Mitteldeutschland um 1800. Weimar, 2013. [BWV deest Emans 30] diss. 2013
12. 17th-Century Contrapuntal Theory in Germany. Eastman school of the Univ. of Rochester, 1964. 1965. diss. 1965
13. Opera at Mannheim, 1770-1778. PhD diss., Music: U. of North Carolina, Chapel Hill, 1992. UMI DA9309859 diss. 1992
14. The first Berlin lieder school: The early development of German art song. DMA doc., Music: U. of Georgia, 1992. UMI DA9316313 diss. 1992
15. Vertolkings van Johann Sebastian Bach se vrye orrelwerke: 'n Stylkritiese analise van bestaande plaatopnames en Bach-edisies. [Interpretations of Johann Sebastian Bach's free organ works: A critical analysis of existing recordings and Bach-editions] MMus, University of the Orange Free State, 1978. diss. 1978
16. J.C. Bach's London keyboard sonatas: Style and context. PhD diss., University of Sheffield, 2003. diss. 2003
17. Musical expression in performance: An analysis of recorded performances of J.S. Bachs Sarabande from the C major Cello Suite BWV 1009. MPhil diss, University of Birmingham, 2003. diss. 2003
18. Bahe b xiaodiao misaqu de ticai guishu ji shenxue neihan. [The genre characteristics and theological content of Bach's Mass in B minor] MA diss., Wuhan Yinyue Xueyuan, 2003. diss. 2003
19. The Anglicisation of Bach. MA diss., University of Wales at Cardiff, 1998. diss. 1998
20. Analyse- und Interpretationsperspektiven zu Johann Sebastian Bachs 'Kunst der Fuge' mit Werkzeugen der objektorientierten Informationstechnologie. Univ. Osnabrück, Habil.-Schr., 1999. diss. 1999
21. Studien zu Artikulationsangaben in Orgel- und Clavierwerken von Joh. Seb. Bach. PhD diss. Universität Tübingen 1984. diss. 1984
22. The Art of Gigue: Perspectives on Genre and Formula in J. S. Bach's Compositional Practice. PhD diss., Harvard University, 2014. diss. 2014
23. Figures of Musica Poetica in the Passacaglias of Dieterich Buxtehude and J. S. Bach. DMA diss., University of Cincinnati, 2012. diss. 2012
24. The historical position and reception of J. S. Bach's 'Great Eighteen' and Orgelbüchlein Choralvorspiele, 1750-1850. PhD diss., Queen's University Belfast, 2016. diss. 2016
25. Recognition and Re-cognition: Bach and The Well-tempered Clavier I. PhD diss., Berkeley: University of California 1969. diss. 1969
26. Johann Sebastian Bach and the Protestantism of his day. PhD diss., University of Edinburgh, 1955. diss. 1955
27. Der Musikbegriff bei Johannes Kepler. PhD diss. Ruprecht-Karl-U. Heidelberg, 1971. diss. 1971
28. Aeolus Appeased: A Modern Scenographic Concept. diss. Carbondale: Southern Illinois U, 1991. diss. 1991
29. An interpretative analysis of the Capriccio in B flat major, BWV 992, by J. S. Bach, with specific reference to comparative interpretations on the clavichord, harpsichord and piano. MMus diss., University of South Africa, 1997. diss. 1997
30. Die Botschaft der Kantate: eine musiko-theologische Analyse der Kantaten Johann Sebastian Bachs zum 6. Sonntag nach Trinitatis. Doctoral thesis. Eberhard Karls Universität Tübingen, 2004. diss. 2004
31. Bach no Goldberg Hensokyoku no Kenkyu. [A Study on Bach's Goldberg Variations] MA diss., Gifu Seitoku Gakuen Daigaku, 1999. diss. 1999
32. J. S. Bach no Junankyoku oyobi Oratorio ni okeru Alto Solo no Yakuwari to Igi ni kansuru Kenkyu. [A Study on the role of Alto Solo and its significance in J. S. Bach's Passions and Oratorios] MA diss., Tokyo Gakugei daigaku, 1999 diss. 1999
33. J. S. Bach: Han'onkaiteki Gensokyoku to Fuga (BWV 903) no Kaishaku. MA diss., Tokyo Gakugeidaigaku, 1999. [Interpreting the Chromatic Fantasy and Fugue (BWV 903) by J. S. Bach] diss. 1999
34. Simetrijska analiza elemenata i strukture muzickog dela. [The symmetric analysis of the elements and structure of a musical composition] PhD diss., Musicology: Akademija Umetnosti, Novi Sad, 1995. [BWV 846/1] diss. 1995
35. The Music of Franz Tunder. University of Rochester, Eastman School of Music, 1965. diss. 1965
36. C.P.E. Bach: Six harpsichord concertos. [Wq. 43] MA thesis, Musicology: U. Birmingham, 1956. [Revised version of article published as 'C.P.E. Bach's harpsichord concertos', MLetters, XXXIX/3 (July 1958) 227-241] diss. 1956
37. Metrical Displacements in the 'Well-Tempered Clavier': a Study of Rhythm in the Fugal Genre. MA Diss., Ramat-Gan: Bar-Ilan University, 1994. diss. 1994
38. The Canonic Sequence in Theory and Practice: A musical-rhetorical study of its origins, and development in keyboard music to 1750. PhD. University of Toronto, 1973. diss. 1973
39. Schönbergs Instrumentationen Bachscher und Brahmscher Werke als Dokumente seines Traditionsverständnisses. PhD diss., Universität Köln 1976. diss. 1976
40. Studien zur Theologie im Rahmen der Lebensgeschichte Johann Sebastian Bachs. Dissertation B. - Leipzig: Karl-Marx-Universität 1985 [maschinenschr.] vii, 161, A 59 Bl. diss. 1985
41. The Musical Measure as Discussed by Theorists from 1650 to 1800. Stanford Univ., 1960. diss. 1960
42. Die Amalien-Bibliothek. Musikbibliothek der Prinzessin Anna Amalia von Preußen (1723-1787). Historische Einordnung und Katalog mit Hinweisen auf die Schreiber der Handschriften. diss., Berlin, 1693. diss. 1963
43. Some relationships in the keyboard music of J.C. Bach and W.A. Mozart, 1765-1776. MM diss.: Florida State University, Tallahassee, 1973. diss. 1973
44. Judgements of key change in Bach chorale excerpts an investigation of the sensitivity to keys, chords, & voicing. PhD. Queen's University at Kingston, 1986. diss. 1986
45. Das Arioso und das ariose Accompagnato im Vokalwerk J. S. Bachs. Dissertation Universität Kiel 1990. diss. 1990
46. The ternary sonata principle from 1731 to 1765: C. P. E. Bach. PhD diss., University of Port Elizabeth, 1976. diss. 1976
47. A comparative study of registration practices in selected organ works of Johann Sebastian Bach (1685-1750) based on recordings made by Marie-Claire Alain and Jacques van Oortmerssen. MMus diss., University of Pretoria. 2000. diss. 2000
48. Johann Sebastian Bach, Orgelbüchlein (BWV 599-644), Schübler-Choräle (BWV 645-650), Choralpartiten (BWV 766-768, 770). Quellenkritische Untersuchung und Edition. PhD. Tübingen, 1978. diss. 1978
49. The Influence of the Late Baroque Instrumental Concerto on Bach's Free Forms for Organ and Clavier. DMA diss., Performance, University of Illinois. 1970. diss. 1970
50. Allegro and Adagio Rhythmic Style in the Instrumental Works of J. S. Bach. PhD diss., Tallahassee: Florida State University, 1968. diss. 1968
51. The Alto Solo Cantatas of J. S. Bach; Francis Poulenc's Melodies - a Mastery of Vocal Writing; Schumann Song Cycles Frauenliebe und Leben. Evanston; Chicago: Northwestern University, 1973. diss. 1973
52. A Study of the Chorale Tune 'Nun komm der Heiden Heiland' and its Treatment by Selected Composers of the Baroque Period. Tallahassee: Florida State University, 1973 diss. 1973
53. A Performance Edition of the 'Drei Sonaten für Clavier und Viola da Gamba' of J. S. Bach. N. Y.: The Juilliard School 1973. [BWV 1027-1029] diss. 1973
54. Johann Sebastian Bach's solo cantatas for soprano. Tallahassee, The Florida State Univ. 1974. diss. 1974
55. Die Symmetrie im Aufbau der Orgelpräludien von Joh. Seb. Bach. Diss. Wien, 1928. diss. 1928
56. A performer's study of selected organ compositions by Johann Sebastian Bach. Diss. Forth Worth, Tex., Southwestern Baptist Theological Seminary 1982. diss. 1982
57. The organ and its music from medieval times to Johann Sebastian Bach. MusD diss., University of Edinburgh, 1930. diss. 1930
58. J. C. Bach's third set of keyboard concertos: a socio-musical study. MMus diss., King's College London, 1970 diss. 1970
59. Re-writing composers' lives : critical historiography and musical biography. PhD diss., Royal Holloway, University of London, 2008. diss. 2008
60. Contrapuntal analysis of the canons in J. S. Bach's 'Musical Offering'. MMus diss., King's College London, 1973. diss. 1973
61. The opus 3 symphonies of John Christian Bach (with a critical edition). MA diss., Cardiff University, 1972. diss. 1972
62. Johann Christian Bach, the six keyboard concertos op.1: a dissertation and critical edition. MA diss., University of Cardiff, 1980. diss. 1980
63. The performance of dotted rhythms and upbeat figures in J. S. Bach with particular reference to his organ music. MA diss., University of Leeds, 1977. diss. 1977
64. The interpretation of the ornaments in J. S. Bach's 'Well-tempered Clavier'. MMus. diss., Reading Univ., 1984. diss. 1984
65. J. S. Bach's Partita no. 3 in E major, BWV 1006: an analysis. MMus. diss., King's College, London, 1983. diss. 1983
66. The computer implementation of harmonic analysis of the chorales of J. S. Bach. PhD diss., Musicology, University of London, 1982. diss. 1982
67. The use of the soprano voice by J. S. Bach as exemplified by the nine solo soprano cantatas. DMA diss., Forth Worth, Tex., Southwestern Baptist Theological Seminary 1982. diss. 1982
68. Extravagant Harmony and Dissonance in Early 'Seicento' Keyboard Music: 'Stravaganze' and 'Durrezze e ligature'. M.A. diss., Univ. of Chicago, 1971. diss. 1971
69. Aprendendo contraponto atraves dos preludios corais. [Learning counterpoint through the chorale preludes] Mestrado, U. Federal da Bahia, 1996. diss. 1996
70. Keys and behavioural trends: An investigation into the relationship between choice of key and compositional strategies in the cantatas of J.S. Bach. MPhil thesis, U. of Cambridge, 1995. diss. 1995
71. Sviatoslav Richter's interpretative response to J.S. Bach: A selective study. MMus diss., Royal College of Music, London, 1995. diss. 1995
72. Die gebruik van basstrykinstrumente in geselekteerde werke van J. S. Bach. [The use of bass string instruments in selected works of J.S. Bach] MM, University of the Orange Free State, 1992. diss. 1992
73. Johann Sebastian Bach: Dritter Teil der Clavierübung. I. Kritischer Bericht. 2. Notenband. Hamburg 1967. diss. 1967
74. LUSUS POETICUS VEL MUSICUS. Johann Sebastian Bach. The Baroque Paragram and Frederich Smend's theory of a musical Number Alphabet. PhD diss., London U., King's Col. 1987. diss. 1987
75. Disposition und Ausarbeitung in Bachs späten Clavier-Werken (1739-1749). Essen Folkwang Hochschule, 1994. diss. 1994
76. Orchestersuiten der Bach-Zeit. PhD diss., Musicology, Bochum. 1990 diss. 1990 'year' unconfirmed
77. Zum Zeitmaß in J. S. Bachs Sechs Sonaten für zwei Claviere und Pedal (Sechs Triosonaten für Orgel): Studien zu historischen Tempoaussagen und gegenwärtigen Erkenntnissen über integer-valor-bezogene Zeitmassgestaltung bei Bach. PhD diss., Musicology, Salzburg. 1991. diss. 1991
78. Gottfried Benjamin Hancke. Ein schlesischer Spät-Barockdichter. Breslau, Phil. Diss. v. 20. Dez. 1933. - Frankenstein i.Schl.: Frankenst. Ztgs- u. Dr.-Ges., 1933. vi, 63p. diss. 1933
79. Das Bach-Bild Philipp Spittas. PhD diss., Musicology, Univ. of Hamburg, 1994. diss. 1994 'year' conjecture
80. The Temperament of Keyboard Instruments in England from the Virginalists to the Middle of the Nineteenth Century. PhD diss., Univ. of Leeds, 1977. diss. 1977
81. The painting of music--the music of painting: The relationships between music and painting, with special reference to Kupka and my personal practice. PhD diss., University of Brighton, 2003. diss. 2003
82. Studien zu den Choralbearbeitungen Georg Böhms (1661-1733). Dissertation, Regensburg 1972. diss. 1972
83. The sacred vocal music of the Graun brothers: A bio-bibliographical study. Los Angeles, Univ., Ph. Diss., 1972. - Nachdr.: Ann Arbor, Mich.: Univ. Microfilms International, 1984, R/1990. 2 vols: xvi, 555p; vii, p.556-1331. diss. 1972
84. Knowledge formalization and representation of the dynamics of expressive musical performance. PhD, Computer sci: City University of New York, 1991. diss. 1991
85. Johann Christoph Oley: Erschließung biographischer Dokumente aus dem Archiv der Reformierten Gemeinde in Aschersleben. Schriftliche Diplomarbeit zur B-Prüfung für Kirchenmusik, Evangelische Hochschule für Kirchenmusik, Halle 2000. diss. 2000
86. Articulation in the Performance of the Subjects of J. S. Bach's Organ fugues: a Study of Melody and Rhythm. DMA diss., University of Kentucky, 1979. diss. 1979
87. A Critical-Bibliographical Study of the Rinck Collection. MA. diss., Yale Univ., 1958. (type script) diss. 1958
88. Die deutsche Vivaldi-Überlieferung. Untersuchungen über die in deutschen Bibliotheken handschriftlich überlieferten Konzerte und Sinfonien Antonio Vivaldis. Univ. Rostock, 1965. diss. 1965
89. Philipp Wolfrum, Untersuchungen zur Bachrezeption um die Jahrhundertwende. PhD diss., Musicology: Universität Heidelberg, 1974. diss. 1974
90. Tintenanalytische Untersuchungen an Bachschen Originalhandschriften mit Hilfe reflexionsspektroskopischer Methoden. Ein Beitrag zur archäometrischen Bach-Forschung. PhD diss., Berlin: Technische Universität. 1987 diss. 1987
91. L'évolution de langage contrapuntique de Mozart autour de l'année 1782: L'influence conjuguée de J. Haydn et J.S. Bach. [The development of Mozart's contrapuntal language around the year 1782: The joint influence of J. Haydn and J.S. Bach] Maitrise, U. de Paris IV [Paris-Sorbonne], 1993. diss. 1993
92. The fourteen last rondos of C.P.E. Bach: An investigation into their historic position, their form and their style. MMus diss., Rhodes University, 1988. diss. 1988
93. The contribution of Dr Joseph Groocock to music education in Ireland (1935–1997). MA diss., Musicology from St. Patricks College, Dublin, 2005. diss. 2005
94. Untersuchungen zur Geschichte der Trompete im Zeitalter der Clarinblaskunst (1500-1800). Dissertation. Universität Köln. 1973. diss. 1973
95. Das Rezitativ bei Bach. Wien, 1936. diss. 1936
96. Bach's Keyboard music in England and Germany, 1770-1850. MA, diss., Leeds Univ. 1985. diss. 1985
97. Studien zur Instrumentation Johann Sebastian Bachs. PhD diss., Musicology, Wuppertal, 1990. diss. 1990
98. Johann Sebastian Bachs Kirchenkantaten zu Trauerfeiern und zu anderen nicht an das Kirchenjahr gebundenen Bestimmungen. Edition und kritischer Bericht. PhD diss., Musicology, Tübingen, 1979. diss. 1979
99. Barokartikulasie en -vingersetting vir die klavierbegeleier: 'n Toepassing in die fluitsonate in E-mol (BWV 1031) van J. S. Bach [Baroque articulation and fingering for the piano accompaniment: an application in the flute sonata in E minor (BWV 1031) by J.S. Bach] MMus thesis, Univ. of Pretoria, 1996. diss. 1996
100. The Harmonische Seelenlust (1733) by G.F. Kauffmann (1679-1735): A critical study of his organ registration indications. DMus (Performing Art). University of Pretoria, 2005. diss. 2005
101. Die Choralbearbeitung für Orgel im Umkreis der Schüler J. S. Bachs. PhD diss., Musicology, Westfalische Wilhelms-U. Münster. 1995. diss. 1995
102. Bach cello suites transcribed and edited for trumpet and Bach cello suites 1-3, performed on trumpet. DMA diss., Univ. of Wisconsin, Madison, 2001. Advisor: John E. Aley. diss. 2001
103. Performance Practice of Multiple Stops in the Sonatas and Partitas for Unaccompanied Violin of J.S. Bach. DMusEd diss., The University of Oklahoma, 1970. diss. 1970
104. Ritornello form in movements for chorus and orchestra by J. S. Bach. Diss. MA., Wales, Cardiff. 1967/68. diss. 1967-68
105. J. S. Bachs preludium i h-moll, BWV 544 -- En analys. Unpublished Master diss., Helsingfors, 1991. diss. 1991
106. Johann Sebastian Bach Concerti in E major and F minor (BWV 1052 and 1056) Restructured as Bassoon Concerti. DMA document, Manhattan School of Music, 1990. OCLC#: 22959342 diss. 1990
107. The forms of Ritornello in the instrumental music of J. S. Bach. diss., MA., Wales, Cardiff, 1964/65. diss. 1964
108. Bach cantata movements suitable for flute transcription. 2 Vols. The Univ. of Texas at Austin, 1974. diss. 1974
109. The Use of the Diminished-Seventh Chord in the Recitatives of Bach's Church Cantatas. D. F. A. diss., Chicago Musical College, 1951. [submitted on June 6, 1950] diss. 1951
110. J. S. Bach 'Mubanso Cello Kumikyoku' ni kansuru Kenkyu: Enso, Gakufu nado no Rekishiteki Jokyo ni tsuite. [A study on J. S. Bach 'unaccompanied Cello Suites': historical situation on issues relating to performance and editions] PhD thesis, Tokyo National University of Fine Arts and Music, 1987. 2 vols. diss. 1987
111. The Well-Tampered Clavier: Authenticity and performing style in editions of Bach's Wohltemperiertes Clavier. MMus diss., King's College, University of London, 1987. diss. 1987
112. Johann Friedrich Reichardt (1752-1814) als Schriftsteller und Publizist. Halle a. d. S. 1964. diss. 1964
113. Symbols of Transformation vol.5 of the Collected works of C. G. Jung. N.Y. Pantheon, 1956. diss. 1956
114. Bachs Weimarer Orgelbüchlein. Studien zu ausgewählten Beispielen. Magisterarbeit Kiel 1995, maschinenschr. diss. 1995
115. Studien zu den schnellen Sonaten- und Konzertsätzen von Johann Sebastian Bach. PhD diss., Musicology, Bochum. 2000 diss. 2000
116. Musiek-allegoriese elemente in twee kantates van J. S. Bach: 'n Studie in woord-toonverhoudinge. [Music allegorical elements in two cantatas of J.S.Bach: a study in word-painting] MM, University of Pretoria, 1992. diss. 1992
117. Johann David Heinichen, 'Der General-Bass in der Composition': a Critical Study with Annotated Translation of Selected Chapters. PhD. New York University, 1961. diss. 1961
118. Musical-rhetorical figures in the 'Orgelbüchlein' of J.S. Bach. diss. 1985 diss. 1985
119. Die Entwicklung der Versettenkomposition vom ausgehenden Mittelbarock bis zum Rokoko. Wien: 1967. diss. 1967
120. A solo woodwind transcription of J. S. Bach's 'Concerto No 4' BWV 1055. Louisville, Ky., The Southern Baptist Theological Seminary 1980. diss. 1980
121. Studien zur Orgelmusik Franz Liszts. Ein Beitrag zur Geschichte der Orgelkomposition im 19. Jahrhundert. PhD diss. Musicology: Freie Universität Berlin, 1971. - München: Katzbichler, 1973. (= Berliner musikwissenschaftliche Arbeiten, 3) diss. 1971
122. The violoncello with special reference to Bach's 6 suites for violincello unaccompanied. [MA?] Diss. Bedford Parks, S. A., Flinders Univ. 1979/80. diss. 1979-80
123. Studien zum Klavierwerk Wilhelm Friedemann Bachs. PhD diss., Musicology, Univ. of Hamburg, 1992. diss. 1992 'year' conjecture
124. Aspects of an Evolving Tonal Language: A Study of Chorale-Based Compositions by the Leipzig Thomaskirche Cantors, 1618-1722. PhD diss., Music Theory, Yale University, 1990. diss. 1990
125. Bachs Arbeiten am strengen Satz: Studien zum Leipziger Vokalwerk. Habilitation, Musicology, Univ. of Kiel, 1996. (Kassel: Bärenreiter Verlag, in preparation, 400p.) diss. 1996
126. Componenti bachiane nell'opera di Robert Schumann. [Bach influences in the works of Robert Schumann] lau, Stor. del' mus.: Universita degli Studi di Torino, 1986-87. diss. 1987
127. Dresden no Furuto Sosha to J. S. Bach: 1724-Nen no Kantata ni okeru Furuto Kiyo no Haikei o megutte. [Dresden Flautists and J. S. Bach: on the background of the use of flute in his 1724 Cantatas] PhD diss., Tokyo National University of Fine Arts and Music, 2007. diss. 2007
128. A practical organ accompaniment for the Christmas oratorio of Johann Sebastian Bach. Univ. Rochester, Eastman School of Music, 1974. diss. 1974
129. Contributions to the development of the piano sonata: The piano sonata of the eighteenth century in Germany (W. F. Bach, C. P. E. Bach, G. Benda, C. S. Binder, C. G. Neefe). MM diss, Rhodes University, 1968. diss. 1968
130. Changing structures in German organ music from 1600 to the death of J. S. Bach. MA diss., University of Durham, 1980. diss. 1980
131. A critical study and transcription of J. C. Bach's symphonies op.6, nos.2 and 5. MMus diss., Goldsmith College, University of London, 1978. diss. 1978
132. Bach-tulkinta tyylin ja tradition valossa: J. S. Bachin Das Wohltemperierte Klavier II:n preludien ja fuugien n:o 17-24 pianotulkintojen vertailua. Helsinki: Helsingin yliopisto, 1977. [Pro gradu -tutkielma: Helsingin yliopisto, Musiikkitieteen laitos] diss. 1977
133. La Vision du Christ, l'Un de la Trinité, et du Dieu trinitaire chez Jean-Sébastien Bach. PhD diss., Université de Lorraine, 2013. [BWV 4, 21] diss. 2013
134. Le concept de matrice dans L'Art de la Fugue de Johann Sebastian Bach. PhD diss., Université Paris 4 Sorbonne, 2016. diss. 2016
135. Bach beyond the score: Clues to performance issues in Bach's keyboard music. DMA diss., 2005. University of Michigan. Ann Arbor, MI: UMI Research Press, 2005. Dissertation No: 0808465 [UMI says 'Summary of performance materials: Two programs of piano music, one pedagogical workshop and paper'] diss. 2005
136. The Johann Sebastian Bach Ouvertüre in B Minor (BWV 1067): Studies in Genre, Style, and Chronology. DMA diss., Performance, University of Wisconsin, 1983. diss. 1983
137. The Organ Music of Dietrich Buxtehude: Compiling an Accurate Edition and Looking at Interrelationships Between Bach and Buxtehude. MPhil diss., University of Oxford, 1991. diss. 1991
138. J. S. Bach no Shukenban no tame no Toccata Kenkyu: BWV 910-916 no Seiritsu to Klavier no Gainen ni tsuite no Kosatsu. [A study on J. S. Bach's Keyboard Toccatas: consideration on the origin of BWV 910-916 and the concept of clavier] PhD diss., Tokyo National University of Fine Arts and Music, 2001. diss. 2001
139. The role of the cadence as determining factor of phrasing of the organ toccatas, preludes and fantasias of Johann Sebastian Bach. MM thesis, Rhodes U., 1995. diss. 1995
140. A study of the German church cantata exclusive of Bach, 1650-1750. MM diss.: Florida State U., Tallahassee, 1969. diss. 1969
141. The Sketches and Drafts of Three of Felix Mendelssohn's Major Works. PhD diss., Cornell University, 1960. 2vols. ([v. 1.] Text, [v. 2.] Musical examples.) - Photocopy. Ann Arbor, Mich.: UMI, 1991. diss. 1960
142. J. S. Bach Recordings 1945-1975: St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations - A Study of the Changing Style of Performance in the Context of the Early Music Movement. PhD diss., The University of New South Wales, 1998. diss. 1998
143. The St. John passion by J. S. Bach in the light of the Neue Bach-Ausgabe (Edition 1973). D.M., Choral Conducting, Diss. Bloomington, Indiana Univ. 1981. diss. 1981
144. Dmitri Shostakovich and the fugues of op. 87: a Bach bicentennial tribute. MM diss., North Texas State Univ., 1981. 2v. diss. 1981
145. Schenkerian Analysis and Goedels's Theorem: The Urlinie as Formally Undecidable. MA diss. in Music Theory. Univ. of South Florida, 1997. diss. 1997
146. Verschollen geglaubte Sätze des Bachschen Vokalwerkes. Neue Beiträge zum Parodieverfahren bei Johann Sebastian Bach. PhD diss., Musikwissenschaft: Ruprecht-Karl-Univ., Heidelberg. 1986. diss. 1986
147. J. S. Bach no 'Mubanso Furuto no tame no Partita I-Tancho BWV 1013' o meguru Kosatsu: 'Allemande' ni okeru Saiko-On a3 no Tokuisei o akiraka ni suru. [Consideration on J. S. Bach's 'Unaccompanied Flute Partita BWV 1013': Clarify the peculiarity of the highest note a3 in its Allemande] PhD diss., Tokyo National University of Fine Arts and Music, 2005. diss. 2005
148. Style and style change in the arias of opera seria, 1755-1772: Hasse - Jommelli - J.C. Bach. PhD diss., Univ. of Chicago, 1982. diss. 1982
149. Johannes Brahms no J. S. Bach Juyo ni tsuite. Enso, Zosho mokuroku, Henkyoku ni tsuite no Jusho Kenkyu. [Johannes Brahms' Reception of J. S. Bach: a study on performance, catalogue of his library and arrangements] Keio University, MA dissertation, 1998. diss. 1998
150. Rhythmic Freedom in the Performance of French Music from 1650 to 1735. Diss. Stanford University, 1959. diss. 1959
151. Solo Cantatas for Bass by Christoph Graupner. DMA diss., Univ. Oregon, Eugene, 1979. diss. 1979
152. Bach’s solo cello suite no. 1: The performance and interpretive value of Schenkerian analysis. MA diss., Musicology. Dublin: St. Patricks College, Dublin City University, 2007. diss. 2007
153. Voice segregation in selected polyphonic keyboard works by Johann Sebastian Bach. PhD, University of Nottingham, 1989. diss. 1989
154. 'Er ist doch ein alter Prachtkerl gewesen': De Bach-receptie in Mendelssohns orgelwerken. MA diss., Musicologie from Katholieke Universiteit Leuven, 2012. diss. 2012
155. Zur Entstehungsgeschichte des zweiten Wohltemperierten Klaviers von Johann Sebastian Bach. Diss. Univ. Tübingen, 1965. 101p. diss. 1965 101p
156. A collection of organ music by pupils of J. S. Bach. DMA diss., Musicology. Eastman School of Music 1969. 102, 89p diss. 1969 102, 89p
157. Franz Paul Rigler as Theorist and Composer. [Incl. English Translation of 'Anleitung zum Gesange, und dem Klaviere, oder die Orgel zu spielen']. PhD diss., Univ. Pittsburgh, 1968. 1029p. diss. 1968 1029p
158. Die Anfänge der Leipziger Allgemeinen Musikalischen Zeitung. Freiburg i.B., phil. Diss. v. 14. Juli 1938. - Sibiu-Hermannstadt: (Schmidt), 1938. 102p. - Nachdr.: Hilversum: Frits Knuf, 1965. 102p. diss. 1938 102p
159. 'Meditations on the 'Crucifixus'': Score and Analysis (Original Composition). California State University, Long Beach, 1991, 102p diss. 1991 102p
160. Das Thema in der Fuge Bachs. Berlin, Phil. Diss. v. 12. Okt. 1928. 102p. [Aus: Bach-Jahrbuch 1927; Beil. auf d. Wesentlichste beschränkt] diss. 1927 102p
161. The late independent keyboard rondos of Carl Philipp Emanuel Bach. DMA diss., University of Texas, Austin, 1986. 102p. [DA 8700318.] diss. 1986 102p
162. Erbeadaption im Sozialismus. Das B-A-C-H-Motiv im Musikschaffen der DDR. Diplomarbeit. Berlin: Humboldt-Universität 1977. 102p. diss. 1977 102p
163. The sacred cantata God hath awakened the Lord, by Carl Philipp Emanuel Bach, in relation to its performance. DMA diss., Church music: University of Southern California, 1969. 2v. 103; 50 p. diss. 1969 103, 50 p
164. Annäherung an Rezeptionsvorgänge. Aspekte der Bach-Rezeption Robert Schumanns. PhD diss., Berlin: Humboldt-Universität, 1986. 103p diss. 1986 103p
165. Wolfgang Caspar Printz und seine Rhythmuslehre. Freiburg i. B., Phil. F., Diss. v. 25. Juni 1952 (Nicht f. d. Aust.). - 103 gez. Bl., 5 Bl. mit Notenbeisp. [Maschinenschr.] diss. 1952 103p
166. J. S. Bach no 'Nin'i Soshoku' Kenkyu: BWV 965, 966, 973, 974, 980 ni okeru Ruikei [A Study on J. S. Bach's improvised ornamentation--the types found in BWV 965, 966, 973, 974 and 980] MA diss., Keio University, 2003. 103p diss. 2003 103p
167. Passie in de polder: het begin van de Nederlandse Bach-traditie in de negentiende eeuw. Doctoraalscriptie Muziekwetenschap, Universiteit Utrecht, Faculteit der Letteren. Augustus 2006. 103p. diss. 2006 103p
168. Die Johannes-Passion von Johann Sebastian Bach. Eine Untersuchung der freien Dichtung. Diplomarbeit Germanistik, Bamberg 1996. 104p. Published in 2001. diss. 1996 104p
169. Les audaces harmoniques dans l'oeuvre de clavier de Jean-Sébastian Bach. Paris, Sorbonne, 1980. 104p. diss. 1980 104p
170. Untersuchungen zu Johann Michael Bach. Leben und Werk. schriftl. Hausarb. ... für das Lehramt für die Sekundarstufen I und II im Fach Musik (Detmold, 2002). Korr. Fassung, 2003. 104p. diss. 2003 104p
171. Mozarts Bearbeitungen eigener und fremder Werke. University of Amsterdam 1969. 104p diss. 1969 104p
172. Salute to Bach: Modern treatments of Bach-inspired elements in Luigi Dallapiccola's Quaderno musicale di Annalibera and Heitor Villa-Lobos' Bachianas brasileiras no. 4. DMA diss., University of Cincinnati, 2008. 104p. Ann Arbor, MI: University Microfilms International, 2008. ISBN: 978-0-549-49317-4. Dissertation No: 3303113. diss. 2008 104p
173. New transcriptions for viola: Works by J. S. Bach, Frank Bridge, Clara Schumann, and Rebecca Clarke. DMA diss., University of Memphis, 2004. 105p. - Ann Arbor, MI: University Microfilms International (UMI). ISBN: 0-496-74611-1. diss. 2004 105p
174. A modern performing edition for clarinet and piano of five selected Baroque sonatas with a study of performance practice and descriptive commentary of the sonatas. MusD diss., Musicology: Indiana Univ., 1969. 105p. [BWV 1023] diss. 1969 105p
175. Johann Christian Bach: London ni okeru kare no Katsudo to Ongaku. [Johann Christian Bach: Life and works in his London years] MA diss., Music History: Tokyo University of Arts, 1968. 105 p. diss. 1968 105p
176. Studien zur Zahlensymbolik des Frühmittelalters. Freiburg (Breisgau), Phil. F., Diss. v. 15. Okt. 1948 (Nicht f. d. Austausch). - ([Freiburg], 1948). 105 gez. Bl. [Maschinenschr. autogr.] diss. 1948 105p
177. Variation techniques in selected organ literature. DMA diss., Organ: Indiana University, 1978. 105p diss. 1978 105p
178. The three organ concerti of J.C. Bach: Commentary and a performing edition. DM, Music: Indiana University, 1991. 105 p. diss. 1991 105p
179. Bach no kantata kenkyu: original shukofu ni miru sakkyoku, ensojo no shomondai. MA Dissertation - Kunitachi College of Music, 1978. 106p. [A Study on Bach's Cantata: some problems in the composition and performance seen in the original manuscript] diss. 1978 106p
180. The influence of French keyboard and Italian instrumental music of the seventeenth and early-eighteenth centuries in the organ works of J. S. Bach. MMus diss., University of Cape Town, 1987. 106 p. diss. 1987 106p
181. Exegesis and eisegesis: The choral composer as scriptural interpreter with special reference to settings of the Magnificat. DMA diss., University of North Carolina, Greensboro, 2008. 106p. Ann Arbor, MI: University Microfilms International, 2008. ISBN: 978-0-549-925729. Dissertation No: 3337466. diss. 2008 106p
182. A survey of organ works based on the motive B-A-C-H. University of Texas. Austin 1970. 106p. diss. 1970 106p
183. Felix Mendelssohn-Bartholdy und die Rheinlande. Bonn, Phil. F., Diss. v. 28. Febr. 1923. 106 gez. Bl. [Maschinenschr.] - also 1929, 106p. [cf. Auszug in: Jahrbuch d. Phil. Fak. Bonn. Jg. 3. 1924/25. pp. 240-243] diss. 1923 106p
184. A Study of Parody Technique and Performance Considerations for Johann Sebastian Bach's 'Mass in G Minor' (BWV 235). DMA diss., The University of Texas at Austin, 1993, 107p diss. 1993 107p
185. Das Weimarer Orgelbüchlein von Johann Sebastian Bach. Inaugural-Dissertation zur Erlangung der Doktorwürde vorgelegt bei derTheologischen Fakultät der Georg-August-Universität Göttingen / von Ernst Arfken. - Göttingen, 1965. 108p. [103 gez. Bl] [maschinenschr.] diss. 1965 108p
186. The chorale prelude before J.S. Bach. MA diss., Musicology: University of Toronto, 1968. 109 p. diss. 1968 109p
187. The Sacred Vocal Duets of Heinrich Schütz and Johann Sebastian Bach: an Introduction and an Annotated Listing. DMA diss., Musicology, Southern Baptist Theological Seminary, 1976. 110p diss. 1976 110p
188. Die motettischen Sätze in Bachs Kantatenwerk. Magisterarbeit der Philosophischen Fakultät der Universität Köln. - Köln: 1993. 110 S. PC-Druck diss. 1993 110p
189. J. S. Bach 'Chromatic fantasie to fuga' no edition kenkyu. MA diss., Ochanomizu University 1974, 110p. [Handwritten: A study on the editions of Bach's Chromatic Fantasy and Fugue] diss. 1974 110p
190. Kirnbergers Leben und Werk und seine Bedeutung im Berliner Musikkreis um 1750. Berlin, Phil. Diss. v. 14. Okt. 1933. - Ohlau i. Schl.: Eschenhagen, 1933. 110p. - [Erw. um einen Notenanh.:] Kassel: Bärenreiter, 1933. 110p, 10 Taf. diss. 1933 110p
191. Le Magnificat de Jean-Sébastien Bach, étude de la version originale en mi bémol majeur. mémoire de maîtrise inédit, Université Paris IV / Sorbonne. 1996, 110p diss. 1996 110p
192. Johann Christian Bach in Leipzig: die Rezeption seiner Werke von 1750 bis 1800. Magisterarbeit, Leipzig Univ., 2010. 112p. diss. 2010 112p
193. A Conductor’s Guide to Sofia Gubaidulina’s St. John Passion. DMA diss, University of Cincinnati, College-Conservatory of Music: Conducting, Choral Emphasis, 2006. 113p. diss. 2006 113p
194. Die Dichter der Kantatentexte Johann Sebastian Bachs. Untersuchung zu ihrer Bestimmung. PhD diss., Univ. Köln, 1966. - Kassel [u.a.]: Bärenreiter, 1967. xxv, 113p. diss. 1967 113p
195. The Operas of Johann Christian Bach as a Reflection of the Dominant Trends in opera seria, 1750-1780. PhD diss, Music, Harvard University, 1958. 2 vols: xxx, 488 Bl; vi, 514 Bl; 139 Bl (separate bibliography) diss. 1958 1145 Bl
196. Strettnaja imitacija: Teoretièeskije, stilevyje i metodièeskije osnovy polifonii J. S. Bacha. [Die Engführung: theoretische, stilistische u. methodische Grundlagen der Polyphonie J. S. Bachs.] Dissertation. Moscow: 1975. 114p. [Ukrain]; Kiev: Muzicna Ukraina 1976, 85p. diss. 1975 114p Latin 2
197. The clarinet in solo, chamber, and concerto repertoire. PhD, Concordia University, 1990. 115p. diss. 1990 115p
198. The 'Mistuned' Cello: Precursors to J. S. Bach's Suite V in C minor for Unaccompanied Violoncello. DMus diss. The Florida State University, 1996. 115p diss. 1996 115p
199. Christian Benjamin Klein und seine Sammlung musikalischer Handschriften. von Wilhelm Virneisel. - PhD diss., Bonn, Phil. Diss. v. 13. Dez. 1924 [1928] [116] Bl. [Maschinenschrift].- Auszug in: Jahrbuch d. Phil. Fak. Bonn. Jg. 3. 1924/25. S. 256-258. diss. 1924 116 Bl
200. A selected study of three variations by Bach, Beethoven, and Brahms. DMA diss., University of Cincinnati, 2003. 116p. - Ann Arbor, MI: University Microfilms International, 2003. ISBN: 0-496-29715-0. Dissertation No: 3081864. diss. 2003 116p
201. Bach Pianists: a Performance History. DMA doc., The University of Texas at Austin, 1992, 116p. diss. 1992 116p
202. Applications of Reductive Analytical Techniques in the Phrygian Settings of the 'Orgelbuechlein' by Johann Sebastian Bach. MM diss., University of North Texas, 1995. 116p diss. 1995 116p
203. The 'Well-Tempered Clavier' by J. S. Bach: A Performance Guide to Twelve Selected Preludes and Fugues Arranged in Order of Ascending Difficulty. DMA diss. University of Washington, 1996, 117p. DA9637917 diss. 1996 117p
204. Die Thematik der Kirchenkantaten J. S. Bachs in ihren Beziehungen zum protestantischen Kirchenlied. Münster, Phil. Diss. v. 25. Juli 1933 (Nicht f. d. Austausch). - [Leipzig]: [Breitkopf & Härtel], 1933. 118p. diss. 1929 118p
205. Uma comparação entre duas gravações do Cravo Bem-Temperado de J.S. Bach por András Schiff. [A comparison of two recordings of the Well-Tempered Clavier of JS Bach by András Schiff] Doctorate Diss. Universidade Federal do Rio Grande do Sul. Instituto de Artes. Programa de Pós-Graduação em Música., 2015. 118p diss. 2015 118p
206. An analytical Study for the Performance of Cantata No.55 and Cantata No.160 by Johann Sebastian Bach. DM Dissertation - Indiana University, 1980. 118p. diss. 1980 118p
207. Die Anwendung der musikalisch-rhetorischen Figuren in den Werken von Heinrich Schütz. Mainz, Phil. F., Diss. v. 19. Juli 1949 (Nicht f. d. Austausch) - ([Mainz], [1949]). 118 gez. Bl. mit eingekl. Notenbeisp., mehr. Taf. [Maschinenschr.] diss. 1949 118p
208. 'Die Marburger Anatomenfamilie': (Wagener, Lieberkühn, Gasser, Strahl, Zumstein). vorgelegt von Hans-Peter Krug. - Marburg, Univ., Diss., 1992. [3], 119p. [contains Biography of Guido Richard Wagener] diss. 1992 119p
209. J. S. Bach no Sakuhin ni okeru furuto no Yoho to Shinjun Mondai o megutte. [The use of flute and the issue of authenticity in J. S. Bach's works], PhD diss., Tokyo National University of Fine Arts and Music, 1998. 119 leaves. diss. 1998 119p
210. Busoni's contributions to piano pedagogy. DMA diss., Piano literature and pedagogy: Indiana University, 1977. 120p. diss. 1977 120p
211. Jean-Sébastien Bach, le musicien-arpenteur. Étude sur les structures numériques dans quelques œuvres de J. S. Bach. mémoire de DEA inédit, Université Paris IV / Sorbonne. 1996, 120p diss. 1996 120p
212. Dmitry Shostakovich's twenty-four preludes and fugues, op. 87: An analysis and critical evaluation of the printed edition based on the composer's recorded performance. DMA diss., University of Nebraska, Lincoln. 2010. 121p; University Microfilms International (MI) Ann Arbor, MI. UMI Number: AAT 3398399; ISBN: 978-1-109-71469-2. diss. 2010 121p
213. Die Berliner Klaviersonate zur Zeit Friedrichs des Grossen. Inaugural-Dissertation zur Erlangung der Doktorwürde genehmigt von der Philosophischen Fakultät der Friedrich-Wilhelms-Universität zu Berlin, 1930. - Saabrücken: Saabrücker Druckerei und Verlag, 1930. 123p text, [14] Bl mus exx. [Teildr: - Schlußkap. u. d. T.: Ueber harmonische Ausfüllung, soll ersch. in ZsfMw] diss. 1930 123, 14 Bl
214. 19-seiki no Nihon ni okeru Bach Juyoshi: Shinbun Kiji to Mikensho Shiryo kara no Saiko. [Bach reception in the 19th-century Japan: reconsideration based on newspaper articles and hitherto unexamined sources] MA diss., The Tokyo National University of the Arts, 2017. 123p text, 70p supplements, 2p abstract. diss. 2017 123, 70, 2p
215. O processo de digitação para violão da Ciaccona BWV 1004 de Johann Sebastian Bach. MA diss. Universidade Federal do Rio Grande do Sul. Instituto de Artes. Programa de Pós-Graduação em Música, 2010. diss. 2010 123p
216. A Conductor's Analysis of 'Gloria' Settings from Five Masses and a Pedagogical Approach to Their Performance. DMA diss., New Orleans Baptist Theological Seminary. 1996. 123p. UMI No. DA9640215 diss. 1996 123p
217. Toward a methodology for the analysis of fugue: An examination of selected Bach organ works. PhD. diss., The Florida State University, 2004. 124p. diss. 2004 124p
218. The Installation Cantatas of C. P. E. Bach. MMus diss., Boston University, 2008, 124p diss. 2008 124p
219. The French Influence on Bach. PhD diss. Harvard Univ. 1926. 125 Bl. diss. 1926 125 Bl
220. Zur Echtheitsproblematik im Werk J. S. Bachs - dargestellt an der Toccata BWV 565. Wissenschaftliche Hausarbeit zur Erlangung des akademischen Grades eines Magister Artium der Universität Hamburg. Hamburg, 1993. 125p. diss. 1993 125p
221. J.S. Bach and permutational design. DMA diss., Juilliard School, 2010. 126p. diss. 2010 126p
222. Choral singers' timbral descriptions and evaluations of recorded choral excerpts using a dark-to-bright vowel hierarchy. DMA doc., Education: U. of Missouri, 1993. 126p. UMI No. DA94-18459. [BWV 454] diss. 1993 126p
223. Sammeln, Ordnen, Vermitteln - die 1972 neu konzipierte Gestaltung und Arbeitsweise des Bachhauses Eisenach. Diplomarbeit. Leipzig: Karl-Marx-Universität 1977, 127p. [type-script] diss. 1977 127p
224. Mozart’s Grand mass in C minor: historical perspective, analysis, and performance. DMA diss., University of Rochester, 1990. 128 leaves. diss. 1990 128 leaves
225. Das Verhältnis Musik-Mathematik bei Johannes Kepler. Ein Beitrag zur Musiktheorie des frühen 17 Jahrhunderts. University of Urlangen, 1970. diss. 1970 128p
226. Arthur Loesser: Pianist, teacher, critic, author. DM diss., Florida State University, 1998. 128p. - Ann Arbor, MI: University Microfilms International, 1999. ISBN: 0-599-09802-3, Dissertation No: 9911448. diss. 1998 128p
227. Die Musikanschauung Augustins nach seiner Schrift 'De musica'. Freiburg i.B., Phil. Diss. v. 3. Febr. 1929. - Ohlau in Schles.: Eschenhagen, 1929. 128p. - Mikrofiche-Ausg.: Freiburg: Univ.-Bibl., 1990. diss. 1929 128p
228. Aufführungspraktische Untersuchungen zur Motette 'Singet dem Herrn ein neues Lied' (BWV 225) von Johann Sebastian Bach. Diplom-Arbeit. Wien: Hochschule für Musik und Darst. Kunst 1990. 128p. diss. 1990 128p
229. Patterns and strategies: four perspectives of musical characterization. PhD diss.: University of Michigan, 1980. 130p. - Dissertation Abstracts International, 41-09A, p. 3776, AAF8106229. diss. 1980 130p
230. Um estudo sobre os aspectos tecnicos e interpretativos da terceira partita para violino solo de Johann Sebastian Bach. [Technical and interpretative issues in the partita no. 3 for violin solo by Johann Sebastian Bach] Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1991. 130 p. diss. 1991 130p
231. The Influence of the Nineteenth-Century Bach Revival Movement on the piano Works of Felix Mendelssohn-Bartholdy, Robert Schumann, Clara Wieck-Schumann, and Johannes Brahms. DMA diss, University of Cincinnati, 1998. 130p (See DissAbstracts 59/05-A, 1395) diss. 1998 130p
232. J.S. Bach's BWV 232: Augmented Sixth Chords in the Symbolum Nicenum as Structural and Theological Unifying Factors. DMA diss., The University of Arizona, 2015. 131p. diss. 2015 131p
233. The lute suite in G minor BWV 995 by Johann Sebastian Bach: A comparison of the autograph manuscript and the lute intabulation in Leipzig, Sammlung Becker, MS.III.11.3. DM doc. diss., Performance practice: Indiana Univ., 1987. 131p. diss. 1987 131p
234. Der Komponist Rudolf Mauersberger (1889 -1971): Untersuchungen zum handschriftlich überlieferten instrumentalen Frühschaffen und zum vorwiegend unveröffentlichten vokalen Hauptwerk; mit systematisch-chronologischem Werkverzeichnis (RMWV). Hochschulschrift: Leipzig, Univ., Habilschr., 1992. Teil 1: 133, [17] Bl; Teil 2: 198 Bl. diss. 1992 133, 198p
235. Die oratorische Kunst in den lateinischen Historien und Oratorien Giacomo Carissimis. Mainz, Phil. F., Diss. v. 29. Jan. 1953 (Nicht f. d. Aust.) - 1952. 133, 46 gez. Bl. mit eingekl. Notenbeisp. [Maschinenschr.] diss. 1952 133, 46p
236. Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. DMA thesis, The University of Oklahoma, 2003, viii, 133p. - Ann Arbor, MI: University Microfilms International, 2003. ISBN: 0-496-30745-7. Dissertation No: 3082934. diss. 2003 133p
237. A Performer's Study of Three Organ Sonatas from the Eighteenth to the Twentieth Centuries: Bach, Mendelssohn, and Hindemith. DMA doc.: Southwestern Baptist Theological Seminary, 1993, 133p diss. 1993 133p
238. Satztechnische Fragen in den Kompositionslehren von F. E. Niedt, J. Riepel und H. Chr. Koch. Hochschulschrift: Heidelberg, Univ., Diss., 1954. 134p. - druck Heidelberg, 1955. diss. 1954 134p
239. Philipp Emanuel Bach in Hamburg. Beiträge zu seiner Biographie und zur Musikgeschichte seiner Zeit. Berlin, Phil. Diss. v. 5. März 1929 [1930]. - Heide (Holst.): Sund, (1929). vii, 134p, 12Bl. (Notenbeisp) - Auch im Buch.; Leipzig: Breitkopf & Härtel, 1929. vii, 134p, [24]p. - Reprint from Wiesbaden: Sandig, 1969. 134p. diss. 1929 134p
240. Beobachtungen zur Spieltechnik in der Klaviermusik Johann Sebastian Bachs. PhD diss. Tübingen 1966. 135p (type written) diss. 1966 135p
241. Die Chorwerke von Moritz Hauptmann (1792–1868). PhD diss., Universität Dortmund, 2004. 135p. diss. 2004 135p
242. Wilhelm Friedemann Bach: An analytical study of selected solo keyboard works. MA diss, Music: Brigham Young University, 1990. 136p. diss. 1990 136p
243. Timewarp: A computer model of real-time segmentation and recognition of melodic fragments. PhD diss., Music: McGill University, 2000. 137p. diss. 2000 137p
244. Alter Stil und alte Techniken in der Musik des 19. Jahrhunderts. Freie Universität Berlin, Phil. F., Diss. v. 13. Okt. 1951 (Nicht f. d. Aust.). - 138 gez. Bl. [Maschinenschr.] (unpublished) diss. 1951 138p
245. The concept of developing variations as a means of producing unity and variety in Schoenberg's Theme and variations, op. 43a. DMA diss.: University of Texas, Austin, 1978. 138p. diss. 1978 138p
246. Beiträge zur Kenntnis des Opernschaffens von J. Christian Bach. Diss., Frankfurt am Main, 1932. 138p. diss. 1932 138p
247. A musician's introduction to Baroque dance. DMA doc., U. of Oregon, 1993. 139p. diss. 1993 139p
248. Passio secundum Marcum di J.S. Bach. lau, Stor. del' mus.: Universita degli Studi di Catania, 1989-90. 139p. [BWV 247] diss. 1989-90 139p
249. Brandenburg Concerto No. 6 in B-flat major by Johann Sebastian Bach: A new arrangement transcribed for two pianos. DMA, City University of New York, Graduate Center, 2007. 139p. diss. 2007 139p
250. A stylistic comparison of two cantata settings based on the chorale 'Nun komm, der heiden Heiland' by G. P. Telemann and J. S. Bach. DMA doc., Performance practice: Arizona State Univ., 1987. 140p. [DA 8805471.] diss. 1987 140p
251. A Performer's Study of Selected Compositions by Johann Sebastian Bach and Ferderico Moreno Torroba. DMA diss., Southwestern Baptist Theological Seminary, 1998. 142p. Advisor: William Mac Davis. diss. 1998 142p
252. The Evolution and Nomenclature of Bach's Horn Parts. DMA doc., Univ. of Cincinnati, 1994. 143p diss. 1994 143p
253. Die Entwicklung der Tokkata im 17. und 18. Jahrhundert (bis J. S. Bach). München, Univ., Diss., 1928. - Münster (Westphalia): Helios-Verlag, 1930. v, 145p. [Ein Teil der Arbeit Diss, München] (= Universitas-Archiv: 45 [Musikwissenschaftliche Abteilung, 6]) diss. 1928 143p
254. An annotated chronological bibliography of literature and editions of 'Das Wohltemperierte Clavier'. MA thesis, State University of New York at Binghamton, 1975, 144p. diss. 1975 144p
255. Zur Funktion der Werke Johann Sebastian Bachs im Prozeß der Entwicklung musikalischer Begabungen. Leipzig: Karl-Marx-Universität, 1982. 144p. diss. 1982 144p
256. The Baroque continuum: The influence of the 'Praeludien' from Bach's 'Well-Tempered Clavier' on Chopin's Preludes, Op. 28. MA diss., California State University, Dominguez Hills, 2007. 144p. diss. 2007 144p
257. Preludes in all twenty-four major and minor keys, op. 67, by Johann Nepomuk Hummel: An investigation and analysis. DMA diss, City University of New York, Graduate Center, 2001. 144p. - Ann Arbor, MI: University Microfilms International, 2001. ISBN: 0-493-50734-5. Dissertation No: 3037408. diss. 2001 144p
258. Die Einführung des Hornes in die Kunstmusik und seine Verwendung bis zum Tode Joh. Seb. Bachs: Ein Beitrag zur Geschichte d. Instrumentation. Halle, Phil. Diss. v. 7. Jan. 1927. - Halle a. S.: Max Niemeyer, Halle 1927. 144p. diss. 1927 144p
259. Johann Nepomuk Schelble, 1789 - 1837: Sein Leben, sein Wirken und seine Werke. Ein Beitrag zur Musikgeschichte in Frankfurt am Main. Inaugural-Dissertation zur Erlangung der Doktorwürde der Hohen Philosophischen Fakultät der Universität Frankfurt vorgelegt von Oskar Bormann aus Höchst a. M. 1928. 145p. diss. 1926 145p
260. Perspective on the musical essays of Lorenz Christoph Mizler (1711-1778). MA thesis. North Texas State University, 1984. 145p. UM: MA 1323637. diss. 1984 145p
261. The seen and the unseen: Hidden allegorical links in the Trinity season chorale cantatas of J.S. Bach. DMA diss., University of Washington, 2008. 146p. Ann Arbor, MI: University Microfilms International, 2008. ISBN: 978-0-549-49562-8. Dissertation No: 3303284. diss. 2008 146p
262. The use of twentieth-century string techniques in solo violoncello music by Texas composers (1977-1987): From a performer's approach. DMA doc., Music: U. of Texas, 1992. 146p. UMI DA9225785 diss. 1992 146p
263. Studien zur Struktur der italienischen und deutschen Triosonate im 17. Jahrhundert. Münster, Phil. u. naturwiss. F., Diss., 1944 (Nicht f. d. Austausch). - (Münster, 1944). 147 gez. Bl. [Maschinenschr.] diss. 1947 147p
264. The fugal technique of J. S. Bach. DPhil diss., Oxford University, 1960. 3 v. (749 leaves; [213] p) diss. 1960 1498p
265. The evolution of the genres of classical piano sonata and piano concerto in the works of D. Scarlatti, C.P.E. Bach, J.C. Bach, J. Haydn, W.A. Mozart and L.V. Beethoven. DMA, University of Maryland, College Park, 2003. Ann Arbor, MI: University Microfilms International, 2003. 14p. ISBN: 0-496-43606-3. UMI No. 3095981. diss. 2003 14p
266. Problems for the Pianist in the Performance of J. S. Bach's Keyboard Works. Selected British Piano Works Composed between 1952 and 1971. DM dissertation, Piano Performance and Literature. Indiana University, 1973. 150p diss. 1973 150p
267. Mendelssohn's Te Deum in D: Influences and the development of style. DMA diss., Music: Stanford Univ., 1985. 150p. [DA 8522259] diss. 1985 150p
268. Per un'interpretazione dei 14 canoni di Bach BWV 1087: implicazioni didattiche e ideologiche. [Towards an interpretation of Johann Sebastian Bach's 14 canons BWV 1087: Didactic and ideological implications] Cremona: Scuola di Paleografia e Filologia Musicale dell'Universita di Pavia, a.a. 1994-1995, 150p diss. 1995 150p
269. Möglichkeiten und Grenzen der Rekonstruktion verschollener Instrumentalkonzerte Johann Sebastian Bachs. Hamburg, Univ., Diss., 1966. - Neue Bach-Ausgabe. Serie VII, Band 7(Suppl.), Kritischer Bericht. 1971. 150p. diss. 1966 150p
270. Die sechs Suiten für das Violoncello allein von Joh. Seb. Bach. Ein Beitrag zur Geschichte des Violoncellos und zur Erkenntnis des Bachschen Personalstiles. Berlin, F. U., Phil. F., Diss. v. 30. Jan. 1957 (Nicht f. d. Aust.), v, 151 gez. Bl. mit eingekl. Notenbeisp. ; 4 [Maschinenschr.] diss. 1957 151 Bl
271. A performer's study of three preludes and fugues for organ representing eighteenth-century Germany, nineteenth-century Germany, and twentieth-century France: Johann Sebastian Bach, Franz Liszt, and Maurice Durufle. DMA diss., Southwestern Baptist Theological Seminary, 2004. 151p. ISBN: 0-496-13061-7. diss. 2004 151p
272. Die musikalisch-rhetorische Tradition im 18. Jahrhundert unter besonderer Berücksichtigung des Programmtrios von Carl Philipp Emanuel Bach. Hamburg, Univ., FB Kulturgeschichte, Mag.-Schr., 1988. 152 Bl. diss. 1988 152 Bl
273. Research and transcription procedures to provide additional literature for trombone quartet. DM doc., Music: Indiana U., 1995. 153 p. diss. 1995 153p
274. A Study of Baroque Tempo Practices and Their Applications to the Violoncello Suite No.2 by Johann Sebastian Bach. DMA diss. University of Washington, 1998. 153p (See DissAbstracts 59/06-A, 1958.) diss. 1998 153p
275. Studie zur deutschen Bach-Auffassung in der Musikgeschichtsschreibung zwischen 1850/70. Eine musikhistorische und ästhetische Untersuchung des Bach-Verstehens im 19. Jahrhundert Münster. Münster, Phil. F., Diss. v. 23. Febr. 1956 (Nicht f. d. Aust.). 154 gez. Bl. ; 4 [Maschinenschr. vervielf.] diss. 1956 154 Bl
276. Il 'Catone in Utica' di Johann Christian Bach: edizione critica, inquadramento storico ed analisi. Cremona: Scuola di Paleografia e Filologia Musicale dell'Universita di Pavia, a.a. 1990-1991. 2 vols, 155, 263p. diss. 1991 155, 263p
277. Das Phänomen der atonikalen Werkeröffnung in der Klaviermusik von Ph. E. Bach bis R. Schumann. PhD diss., Musicology, Universität Wien, 1970. 3v. 155; 178; 273p diss. 1970 155; 178; 273p
278. Tempo Considerations in the Choral Music of Johann Sebastian Bach. PhD diss., Choral Music, University of Iowa 1974. 155p. diss. 1974 155p
279. Instrumentation and structure in Anton Webern's orchestration of the Ricercar A 6 from Johann Sebastian Bach's 'Musical Offering'. MM diss., The University of Western Ontario, 1995. 156p. diss. 1995 156p
280. Das Rezitativ der Kirchenkantaten Joh. Seb. Bachs. von Hermann Melchert. [Frankfurt am Main], 1958. 156+15p. - Frankfurt/Main, Univ, Phil. F., Diss. v. 24. Juli 1957. diss. 1958 156p
281. Friedrich Wilhelm Rust. Berlin, Univ., Diss., 1927. - Essen: Kauermann, 1927. 156p. diss. 1927 156p
282. Das vokal-instrumentale Verhältnis in den Arien des jungen Johann Sebastian Bachs. PhD Dissertation - Leipzig: Karl-Marx-Universität, 1984. 157p. diss. 1984 157p
283. The Performer's Goût: a Study of Rhythmic Conventions and their Application to Selected Organ Works of Johann Sebastian Bach. MA diss., California State University, Sacramento / MA, 1978. 157p diss. 1978 157p
284. Die Triosonate bei den Dresdner Zeitgenossen Johann Sebastian Bachs. Diss. Jena, 1956. 158 Bl [Hauptbed.], 51 Bl [Beispielbd.] diss. 1956 158, 51 Bl
285. Johann Mattheson's 'Der vollkommene Capellmeister': a translation and commentary. DMA diss., Peabody College for Teachers of Vanderbilt University, 1969. 1586p. AAT 7007632 diss. 1969 1586p
286. A performer's study of selected sacred solo cantatas by Johann Sebastian Bach, Alessandro Scarlatti, and Georg Philipp Telemann. DMA diss., Southern Baptist Theological Seminary, 2006. 158p. [BWV 84] diss. 2006 158p
287. The B-A-C-H-Motive in German Keyboard Compositions from the Time of J. S. Bach to the Present. DMA diss., Performance, University of Illinois 1972. 158p. diss. 1972 158p
288. The Influence of French Baroque Dance on the Cantatas of Johann Sebastian Bach. DMA diss., University of Washington, 2007. iv, 159p. - Ann Arbor, MI: University Microfilms International, 2007. ISBN: 978-0-549-16075-5. Dissertation No: 3275851. diss. 2007 159p
289. De la lecture de la partition à l'écoute de l'interprétation, essai de description de 'l'Art de fugue' de J.-S. Bach. Paris: Université de Paris-Nanterre 1976. 159 Bl. diss. 1976 159p
290. Principy polifoniceskogo golosovedenija v instrumental'nyh fugah I.S. Baha. [Principles of vocal part writing in J.S. Bach's instrumental fugues] PhD, Teorija muzyki: Gosudarstvennaja Konservatorija, Kyjiv, 1990. 15p. diss. 1990 15p
291. A performance edition of Bach's violoncello suites, transcribed for viola. DMA diss., Arizona State University, 1991. 160p. diss. 1991 160p
292. Diskologische Analyse der Kunst der Fuge von Johann Sebastian Bach. PhD diss., Musicology, Technische Universität, Berlin. 1981. 160p diss. 1981 160p
293. Heikinritsu Klavier Kyokushu, Dai-1-Kan no Fuga ni okeru Seikaku Shudai to Gakkyoku Kozo. [A structural analysis of the Charakterthemen in the fugues from Das wohltemperirte Clavier, book 1.] MA diss., Musicology: Osaka Univ., 1983. 160p diss. 1983 160p
294. Kaanonien kaatama? Johann Gottfried Waltherin elämä. [Brought down by canons? The life of Johann Gottfried Walther] Lic, Jyväskylän Yliopisto, 2006. 161p. diss. 2006 161p
295. The soli-tutti concept in the choral works of Johann Sebastian Bach. DMA diss., Urbana, Ill., Univ. of Illinois at Urbana-Champaign, 1979. 161p diss. 1979 161p
296. Studien zum Libretto des Tod Jesu von Karl Wilhelm Ramler und Karl Heinrich Graun. PhD diss., Musicology: Universität Kiel, 1971 - München: Katzbichler, 1972. 163 p. diss. 1971 163p
297. Tradition and Innovation in Franz Liszt's Variations on a Motive of Bach. PhD diss.: Kent State University, 1993, 163p diss. 1993 163p
298. Musical ambiguity in analysis and composition: Problems of pattern, value, form, and structure. DMA doc., U. of Illinois, 1993. 163p. UMI No. DA9329088 diss. 1993 163p
299. Die Klaviersonaten Carl Philipp Emanuel Bachs. Göttingen, Phil. F., Diss. v. 8. Aug. 1953 (Nicht f. d. Aust.) - [1953]. 164 gez. Bl. mit eingekl. Notenbeisp. [Maschinenschr.] diss. 1952 164p
300. Die Musikpflege an der Leipziger Neukirche von 1699 bis 1761. PhD diss., Musikwissenschaft: Martin-Luther-Univ., Halle, 1988. 164p, 20p. diss. 1988 164p, 20p
301. Untersuchungen zur Form der Präludien des Wohltemperierten Klaviers von J. S. Bach. PhD diss., Musicology, Tübingen, 1984. 165p diss. 1984 165p
Search took 0.562s cpu time (0.015s in system), 52163 records per second.

Search terminated at maximum, narrow your query!

BachBib Search Engine 1ctp Version 1.57 (c) M. Vincent 1997.
Last revised on 2 May 2011 by Yo Tomita